Shea and Derek are back for their September manga episode. (Yeah, yeah. We know it’s the beginning of October, but the guys were a little late getting last month’s show recorded.) This time they discuss two intriguing titles, each quite different one from the other. They begin with the inaugural issue of Vérité, a new anthology series out of India featuring classic alternative manga as well as contributions from contemporary Indian artists that have a gekiga feel to them. The guys were glad to see work from Tadao Tsuge, Susumu Katsumata, and Youji Tsuneyama, but they were also taken by fresh Indian voices such as those of Anpu Varkey, Shaunak Samvatsar, Nandita Basu, and Bharath Murthy, Vérité‘s editor. After that, Shea and Derek discuss Cutie Honey: The Classic Collection, by Go Nagai. This is another one of Seven Seas Entertainment’s nice hardbound collections of classic 1970s manga, other titles including Captain Harlock and Devilman. The guys emphasize Cutie Honey as a representative kind of shonen manga for its time, but they spend most of the time discussing the, at times discomforting, sexual or erotic nature of Go Nagai’s creation. What was written for a particular audience back in the 1970s may come across as gratuitous or even offensive to more contemporary readers. But both Derek and Shea point out that, despite the erotic weirdness apparent at times, the story is engaging and worth revisiting.
“There’s definitely some kind of cycling going on here”
This month Shea and Derek discuss two great works that bring back some older, or classic, manga. They begin with Leiji Matsumoto’s Captain Harlock: The Classic Collection, Vol 1(Seven Seas Entertainment), a series that originally ran between 1977 and 1979. Captain Harlock is a classic science fiction work, and with a space pirate protagonist who can be seen as a romantic hero. The Two Guys discuss the figure of Harlock as a curious mixture, while at the same time trying to ferret out the his philosophy. In many ways, they see this manga anchored in its time, both aesthetically and politically. But this work definitely isn’t limited to it’s time and can be appreciated today.
Next they turn to Slum Wolf, another translated collection from Tadao Tsuge (New York Review Comics). An earlier collection of Tsuge’s work, Trash Market, was released in 2015 by Drawn and Quarterly (which the guys reviewed on their June 2015 episode). Slum Wolf is a collection of nine stories originally published between 1969 and 1978 in various publications such as Garo and Yagyō. It also includes an essay by Tsuge, as well as a outstanding contextual essay by Ryan Holmberg, who also edited and translated the collection. The guys discuss all the stories, to greater or lesser degrees of depth, but they spend most of their time talking about the linking features that bind most of the narratives. As both Derek and Shea point out, this is one of the manga highlights of the year, so far.