Podcast: Play in new window | Download (Duration: 1:54:33 — 52.6MB)
Time Codes:
- 00:00:29 – Introduction
- 00:02:52 – Pascal reports back from TCAF!
- 00:09:10 – Lovecraft: The Myth of Cthulhu
- 00:41:51 – Algeria Is Beautiful Like America
- 01:20:20 – Die Laughing
- 01:51:28 – Wrap up
- 01:52:19 – Contact us
A (Mostly) Black-and-White Episode
For the May Euro Comics episode, Pascal and Derek discuss three very different works in translation…but all of which are primarily in black-and-white. They begin with Esteban Maroto’s Lovecraft: The Myth of Cthulhu (IDW Publishing), an adaptation of three of H. P. Lovecraft’s short stories: “The Nameless City,” “The Festival,” and “The Call of Cthulhu.” All three are part of the writer’s Cthulhu mythos, and the guys comment on Maroto’s illustrative style and how it reflects that found in 1970s Warren publications, to which Maroto actually contributed (although not these stories).
Next, they discuss Olivia Burton and Mahi Grand’s Algeria Is Beautiful Like America (Lion Forge). This is a memoir of Burton’s journey to Algeria, particularly Algiers and the Aurès Mountains, to visit the land of her mother and grandparents. In many ways, this is a narrative all about identity, in that the author attempts to understand the land of her forebears in order to better understand herself. This is a striking autobiographical work, but as the Two Guys point out, it’s unusual that a memoir such as this is written and illustrated by different creators.
The guys wrap up this month’s episode by visiting a book that is close to Pascal’s heart, André Franquin’s Die Laughing (Fantagraphics Books). This is a collection of Franquin’s Idées noires strips, which are strikingly different from his earlier work in Spirou or his Gaston and Marsupilami comics. As Derek and Pascal point out, these are more serious and foreboding pieces that reflect a dark peri0d in Franquin’s life. And while many of these strips are politically poignant, they are nonetheless timeless and are just as fresh today as when they were first created during the 1970s and 1980s.
