A double-header to celebrate. First, Tim and Eugenia discuss the long-, long-awaited next installment of the Sky Doll saga, Sky Doll: Sudra. Alessandro Barbucci and Barbara Canepa continue to astound with their beautiful artwork and colors. But is the story a satisfying next chapter?
Then, in honor of the big, round number on this episode, we present audio of Tim’s presentation on the history of Deconstructing Comics at the Tokyo Sequential Art Meetup last February 15!
Hajime is an anthology (the first in a proposed series from new group Tokyo Collective, or ToCo) presenting four-page stories from seven artists about their first impressions upon arriving in Tokyo. Longtime Tokyo residents Tim and Mulele discuss.
Tim attended CAT 2017 on November 25, with job one being a talk with Scott Pilgrim and Seconds creator Bryan Lee O’Malley! O’Malley answers some lingering questions from those books, and discusses the inconsistent censoring of cursing in Snotgirl, giving characters body language, why autobio comics are so popular, and what, if anything, he would change about his published work.
Tim also talked with a couple of other creators (many of the denizens of Artist’s Alley were the same ones we met at Kaigai Manga Festa in the past two episodes) and covered a workshop on Risograph Printing presented by Natalie Andrewson, Ryan Cecil Smith, and Grame McNee.
Also in this episode, we’ll hear from CAT co-organizer Adam Pasion about how this year’s event went, and lessons learned for next year.
It’s time for another Kaigai Manga Festa roundup! This year’s international comics festival in Tokyo was held on November 23 at Tokyo Big Sight, alongside the Comitia festival as always. Tim caught up with some familiar faces and met some new ones as well!
Many of us are good at making our work (comics, podcasts, what have you), but not good at putting it out there, letting people know it exists. Mulele has been advising his friend Oscar, creator of the comic Kai (discussed in Critiquing Comics #100), on using social media and on choosing the best presentation style for a given book. This week, Tim talks with Oscar about his opening foray into comics, and Mulele talks about designing books and finding printers that can produce what he envisions.
Comic Art Tokyo (CAT), organized by Adam Pasion of Big Ugly Robot Press and James Stacey of Black Hook Press, was held at 3331 Arts Chiyoda in Tokyo on July 31, 2016. Tim was there, recorder in hand, talking to tablers!
What goes into planning a comics event? How can organizers respond to complaints from fans and cosplayers about sexual harassment and long lines? This week we ask Emerald City Comicon founder Jim Demonakos, now Global Director of Comic Talent at ReedPOP, about these issues, as well as how to maximize profits when tabling at a con, why comics events have multiplied, and what the future holds for comics conventions.
You heard many of the artists who attended Tokyo’s International Comics Festival (Kaigai Manga Festa) back in November. But how are the comics themselves? This week Mulele and Tim read some of the comics they picked up at the festival and discuss some of the best!
This week our coverage of Tokyo’s International Comics Festival concludes with creators from Finland, Brazil, France, Japan, Indonesia, and the U.S., including a chat with podcast co-founder Mulele on what he’s learned in the past year of convention tabling.
This year’s International Comics Festival (Kaigai Manga Festa) in Tokyo was bigger than ever! Plenty of familiar faces from past years gave it a sense of community (long sought by many foreign comics creators feeling rather isolated in Japan), but there were plenty of new faces, too, many of whom flew in from Europe and North America to be here. Tim once again procured a media pass and went booth-to-booth gathering interviews! Photos and Web links for all interviewees are below.
This week Tim travels just south of Tokyo to Yokohama to meet up with Chris Taylor (“Sketchfro”), creator of Relic Hunter: Riven, and James Stacey of Black Hook Press, which publishes Japanese translations of US and UK graphic novels. How do you prepare for conventions? Did you do comics differently back home? What’s different about tabling at German comics events? Why did Chris get in an argument with Archie Comics? That and more!
What are some advantages and disadvantages of comics as a medium? How can you show lack of motion in a comic? Is the lack of sound in a comic ever an advantage? How do you keep yourself going when you’re afraid that your work isn’t good enough? This and more this week with three Tokyo-area artists: Grace Mineta, who’s having considerable success with her Texan in Tokyo comics and YouTube channel: Pei-in Wu, a Taiwanese artist who’s juggling comics with a day job; and Yu Ohmura, who self-publishes comics about his travel experiences.