Comics Alternative, On Location: Talking with Creators at Fan Expo Dallas 2017

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Our Man in Dallas

This past weekend Derek attended Dallas Fan Expo 2017, and there he was able to talk with several creators and publishers for the podcast. Some of his guests are individuals who have been on the podcast before — either while at conventions or on regular interview episodes — although some are appearing on The Comics Alternative for the first time. Those talking with Derek on this on-location show include Robert Wilson IV, Terry Moore, Raechel Alexis Gasparac, Ed Brisson, Joe Eisma, and Matt Hawkins. Enjoy, won’t you?

Be sure to check out today’s companion on-location episode where Andy talks with a few creators at the Sumter Comic Arts Symposium!

 

 

Comics Alternative Interviews: Ed Brisson

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“I’ve got  no problem with hipsters”

EdBrisson

In yet another of the Two Guys’ interview series, Derek is back to talk with one of the hardest working people in comics today, Ed Brisson. The first issue of his and Adam Gorham’s new series, The Violent, will be released tomorrow, and Ed shares with Derek the story behind this new ongoing title ViolentCoverfrom Image Comics. In fact, Ed reveals that the genesis of the narrative actually springs from his earlier webcomic (and later Dark Horse title), Murder Book. The protagonists, Mason and Becky, are a young working class couple with a checkered past trying to escape the drugs and crime that helped to get them where they are today. As Ed describes, their dilemma has very much a “Murder Book feel,” making The Violent an ongoing extension of that story collection. The two also talk about his and Lisandro Estherren’s upcoming four-issue miniseries from BOOM! Studios, The Last Contract, the story of a retired hitman who reluctantly finds himself forced back into the business. Along the way, they also bring in discussions of Ed’s previous series such as ComebackThe FieldThe Mantle, Cluster, and Sheltered. In fact, it’s all that Derek can do to contain a conversation that includes such prodigious output. Ed’s definitely a hard-working writer, but as he makes clear in the interview, he knows how to let loose, have a good time, and then let those experiences inform his art.

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