Comics Alternative Interviews: Keiler Roberts

Time Codes:

  • 00:00:24 – Introduction
  • 00:02:24 – Setup of interview
  • 00:04:41 – Interview with Keiler Roberts
  • 01:04:06 – Wrap up
  • 01:04:48 – Contact us

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Exposures 

In 2009 Keiler Roberts began putting out a series of self-published minicomics that she titled Powered Milk. These were brief stories and scenarios where she represented the experiences she had as a mother, wife, and friend. Many of the situations were observational in nature — for example, some of her Powered Milk comics were one-panel expressions of something off-beat and telling that her daughter, Xia, had said — but occasionally she would illustrate longer narratives that concerned her life as a mother. She has gathered these earlier minicomics in collections such as Powered Milk: Collected Stories and Miseryland. Last year, however, Keiler began turning to book-length format and publishing her Powered Milk stories, what she continues to call her work, through Koyama Press. In fact, Sunburning was one of the texts discussed last year during the publisher spotlight on Koyama Press’ spring 2017 releases. And this week we’ll see the release of Keiler’s next book, Chlorine Gardens. It’s a work that’s certainly in the Powered Milk spirit, but this book is notable in that Keiler engages more in long-form storytelling than she does in her previous comics. What’s more, and as Derek discusses with her, Keiler brings a structure to the various stories and observations that is more apparent than in the past. In this interview, Derek talks with Keiler about the evolution of her comics-writing, the role of journaling or diary illustration in her work, the process she undergoes in creating her stories, and the power — as well as the limitations — of exposing herself and her loved ones as subject matters for her narratives. Keiler has been on the podcast before, albeit briefly, during the 2016 Small Press Expo, an event at which she won an Ignatz Award for Best Outstanding Series, but this is a special occasion in that Keiler gets to discuss her work in a longer, more sustained manner.

Comics Alternative, Episode 240: A Publisher Spotlight on Koyama Press

Listen to the podcast!

Time Codes:

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Holy Balls!

For this week’s review episode the Two Guys with PhDs turn a critical spotlight on Koyama Press and its spring 2017 releases. They devoted an entire episode to Koyama a couple of years ago, but this season there are just so many great titles coming out from the press that the guys wanted to look at all of their releases and not just two or three scheduled across several weeks. First, though, they share a brief conversation with the press’ founder and publisher, Annie Koyama, who provides an overview and history of the Canadian publishing house.

Then the guys start discussing the new releases, beginning with Eleanor Davis’s You & a Bike & a Road, a diary comic of her time biking from Arizona to Georgia and the various experiences and encounters she had along the way. Reading this book has even gotten Derek back exercising on his bike, although Andy wasn’t inspired in quite the same way. After that they look at another autobiographical work in diary form, Keiler Roberts’s Sunburning. The Two Guys have discussed Roberts’s work on the podcast previously, but this is the first time the both of them have focused on one of her entire books, her first Koyama Press release.

Next, they turn to Crawl Space, the latest from Koyama creator Jesse Jacobs. This is a visually unique work, combining Jacobs’s geometric abstractions with a straightforward, yet self-reflexibly revealing, storyline. Another experimental work is Eric Kostiuk Williams’s Condo Heartbreak Disco. At the center of this narrative are Komio and The Willendorf Braid, two figures whose stories are part of Williams’s Hungry Bottom Comics series, of which neither of the guys are familiar (unfortunately).

Then it’s on to Volcano Trash, the follow up to Ben Sears’s Night Air which was leased last year. This all-age adventure featuring Plus Man and Hank is one of the highlights of the week, and the guys hope Sears continues developing this series. And finally, Andy and Derek wrap up with Jane Mai and An Nguyen’s hybrid text, So Pretty/Very Rotten: Comics and Essays on Lolita Fashion and Cute Culture. This is a fascinating exploration of a cultural trend that neither of the guys really knew much about — at least in detail — and one that caters to their scholarly sensibilities.