On this episode Sterg and Derek check out two new anthologies, as well as a recent incarnation of Dick Tracy. They begin with Scratches #2, a comics and art anthology curated by Joost Swarte (and distributed in the Americas by Conundrum Press). They actually spend the majority of the episode discussing this collection, which includes mostly European artists. After that they eagerly jump into the latest issue of Eric Reynold’s Now. This is Fantagraphics’ exciting anthology that began last year. In this issue we see work by, among others, Walt Holcombe, Cynthia Alfonso, Roman Muradov, Tommi Parrish, Theo Ellsworth, Rebecca W. Kirby, and David Alvardo. Finally, they wrap up with Dick Tracy: Dead or Alive #1, the first in a four-issue limited series. Written by Lee and Michael Allred, and with art by Rich Tommaso, this is (to some degree) an updated handling of Dick Tracy in that the legendary detective is fighting crime in the current day. But although temporal setting is contemporary, the issue still has the feel of a classic comic-strip narrative, including big-presence villains, a detective with many tricks up his sleeve, and a storyline that at times seems outrageous…but in a good way. The Two Guys really hope that this Dick Tracy has a long life well after the limited series.
Derek is pleased to have Rich Tommaso back on The Comics Alternative. He appeared on the show last year to discuss his new series at the time, She Wolf, but this time he talks about Spy Seal, his intriguing new anthropomorphic espionage series from Image Comics. They begin by chronicling the genesis of the story, a comic that Rich began as a thirteen-year-old, and then discuss the development of the premise and the various choices Rich made in situating his narrative. One way that Rich describes his new series is by paying homage to Hergé’s Tintin, the globetrotting young investigator who always found himself immersed in adventure and intrigue.He also discloses many of the lessons he learned with his previous Image series, both She Wolf and Dark Corridors, his love of genre, and his need to move on — at least momentarily — from psychological horror and crime stories. Derek also asks Rich about his plans for future Spy Seal narrative arcs, the temporal settings of these plots, and the ways in which the uncertainty of creator-0wned series impacts a writer’s storytelling choices.
On this episode of the interview series, Andy and Derek talk with Rich Tommaso about his recent publications from Image Comics, She Wolf #1 and the trade collection of Dark Corridor. Both were released last week. The guys begin by trying to wrap their brains around She Wolf, a surreal lycanthrope narrative with a 1980s flair. Rich reveals that this is a planned four-issue arc, and that if the interest is there he has plans to continue and expand the story. He contrasts this publication strategy with that of his earlier series, Dark Corridor. That began as a more ambitious project with more of an ongoing storyline. But, due to the sales, he decided to wrap up the title sooner rather than later. In fact, Rich speculates that crime comics may not be a current interest with the comics-buying public, at least compared to horror and science fiction. He also suggests that autobiographical or slice-of-life comics — as found in his earlier works, Let’s Hit the Road and Pete and Miriam — may not be his forte, and that genre stories are more his style. You’ll also find in this interview a lot of talk about film, crime fiction, and the recent HeroesCon where the guys first met Rich. So whether you like your Tommaso comics plain or genre-flavored, this conversation has something for you.
Last week Adam had attended Wizard World Atlanta. He then joined Shawn at the annual Heroes Aren’t Hard to Find sale then they journeyed together to the Drum X-mas party. After all that they took the time out of their busy schedules to record a wrap-up show. It sucked, so now we present you with this wonderful collection of stories instead.