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For July’s manga episode, Shea and Derek discuss two distinctly different titles. They begin by looking at Naoki Urasawa’s Monster series published through Viz Media. The fifth volume of the new Perfect Editions was just released last week, so the guys thought this would be a great opportunity to introduce listeners to this dramatic saga. Monster is the story of a brilliant young surgeon, Dr. Kenzō Tenma, who’s accused of murder and then goes on the lam to find the real killer: a boy that he had perviously saved from a traumatic head wound. Tenma’s search for the enigmatic and elusive figure, now growing into young adulthood, becomes the driving force of the narrative, with Urasawa introducing a variety of characters and unlikely scenarios along the way. The itinerant nature of this series reminded Derek of the old The Fugitive TV series starring David Janssen. And Shea, in fact, thought that the episodic feel of the title began to wear thin as the story progressed, with Urasawa introducing diverse characters in an almost formulaic manner so as to keep teasing out the drama. But this is a highly engaging series with clean, detailed line drawing and rarely flagging momentum. Next, the guys turn from seinen to josei with Moyoco Anno’s In Clothes Called Fat (Vertical). This is a one-volume story about eating disorders, body image, and the dark side of fashion consciousness on young women. Anno herself comes from a fashion background, and her insights on cultural psychology are the underlying bedrock of this narrative. In fact, both Shea and Derek are highly impressed by the ways in which Anno gets into her characters, adeptly revealing how they think and the complexities driving their actions. Body image isn’t the only focus of this story. Anno shows how social pressures, groupthink, and low self-esteem undergird many of our dysfunctional relationships. While Shea likes the book but isn’t completely satisfied with its ending — he feels the pacing shifts too dramatically in the conclusion — Derek is impressed with Anno’s style of narration, allowing characters multiple modes of expression that represent the psychological mechanisms at work. In all, this is an important and socially conscious work for male and female readers alike.