Christopher Jones has done a variety of work for DC Comics (including The Batman Strikes and one story in Batman ’66) and other animation adaptations), a few things for Marvel, and Dr. Who comics for Titan. How did he break in, and why is so much of his work of a more “cartoony” nature?
Lucid is making her living from crowdfunding in support of her webcomic, Avialae, a “boy’s love” story with an emphasis on consensual couplings. She talks about how “living the dream” can sometimes be a double-edged sword.
Eliot Rahal interviews Kristin Tipping at New Comic Book Day at Day Block Brewing Co. in Minneapolis on July 19
Minneapolis is increasingly becoming a “comics town”. While it doesn’t have the publisher presence of Portland, it’s filled with comics creators of all stripes, from mainstream guys to indy creators to web cartoonists.
It also may be the only town in the U.S. where New Comic Book Day is a bar event every Wednesday, with comics giveaways, standup comedy, and a creator interview!
In this episode, Tim talks with:
Katy Rex, writer of Jade Street Protection Services, from Black Mask, editor of another Black Mask title, Kim and Kim, and writer of a forthcoming Dr. Who special from Titan Comics. She also works at local retailer Hot Comics.
John Bivens and Eliot Rahal
Eliot Rahal, writer of Bloodshot’s Day Off and other books from Valiant, and a host of the New Comic Book Day event.
John Bivens, artist on Image Comics’ Spread and Dark Engine.
Maya Kern‘s “Monster Pop!” features monsters and humans living together at a university. In Kern’s mind, it’s like, and also not like, shojo manga. How so?
This week, Tim talks with Maya about the increased acceptance of gay characters in comics; the problems with blogging from a character’s point of view (and of making your character a musician); why comics conventions are good for connections, but anime conventions are good for making money; repetitive strain injury, online comics promotion (Tapastic, Patreon), and more.
Tim Across America, part 7! Gordon McAlpin has put in more than a decade on the popular Web comic Multiplex, about kids who work at a movie theater — a concept he had originally thought was stupid! What changed his mind? How has he successfully funded two Kickstarter projects to print books of his comic? He talks with Tim about this in a Minneapolis restaurant, as well as using Patreon for funding, his tools for making the strip, and the good and bad points of letting your characters age.
Plus, a clip from Tim’s appearance on the KFAI Minneapolis radio program True Brit!
Tim Across America, part six! Having worked in mainstream American comics for three decades now, Dan Jurgens has seen a lot of change. The number of publishers, the type and amount of fan interaction (thanks to the Internet), the method of comics distribution, and the way the Big Two search for new talent have all changed greatly in that time. And, the Big Two now actually discourage the creation of new characters. Why? This week, Jurgens reflects on those changes — some good, some bad — in a talk with Tim.
He also discusses his work on Superman and Thor, how technology has helped film steal some of comics’ storytelling edge, and more.
Also, in the Minneapolis edition of Ask a Retailer, Tim talks to Paul Miller at Comic Book College!
AND, our new feature DCP In Touch, and a talk with Kumar and Mulele about their successful Kickstarter project!
Tim Across America pt 5! In Minneapolis, Tim visits the studio of Zander Cannon, author of Heck(discussed in episode 381) and layout artist for Alan Moore’s Top Ten and Smax. He talks with Tim about developing Heck, working with Alan Moore, whether going to San Diego is all that essential for a newbie to the comics business, and — Hey, Kevin Cannon’s your brother, right?!?