Deconstructing Comics #572: Barbara Schulz on MCAD’s Comic Art Program

Barbara Schulz

The number of schools offering comic art programs in the US is small but increasing. This time we look at the Minneapolis College of Art and Design (MCAD). John Bivens and Eliot Rahal give us some background, and then we talk to one of the primary faculty members teaching in their comic art program, Barbara Schulz. She gives us her thoughts on choosing the best comic art program for you, challenges facing anyone trying to get started in comics (such as self-promotion, unscrupulous publishers, and more.

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Deconstructing Comics #571: Minneapolis’ World Monster Headquarters

This week we double back to the beginning of Tim’s summer trip around the US, and meet three of the many creators at the World Monster Headquarters studio in Minneapolis. We’ll meet Peter Wartman, creator of the graphic novel Over the Wall and currently working on the sequel, Stonebreaker. He talks about why Over the Wall is still on his web site, even though the book is out.

Then, Sean Lynch, currently working on his graphic novel The Zoo, which asks the question, does “choice” really exist?

Finally, Lupi McGinty, creator of the web comics Lolly Poppet and Bantam Returns. She tells us about the live action Calvin and Hobbes movie she made as a kid!

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Deconstructing Comics #562: Christopher Jones and Lucid

Chris Jones and Lucid

More Minneapolis comics creators!

Christopher Jones has done a variety of work for DC Comics (including The Batman Strikes and one story in Batman ’66) and other animation adaptations), a few things for Marvel, and Dr. Who comics for Titan. How did he break in, and why is so much of his work of a more “cartoony” nature?
Lucid is making her living from crowdfunding in support of her webcomic, Avialae, a “boy’s love” story with an emphasis on consensual couplings. She talks about how “living the dream” can sometimes be a double-edged sword.

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Deconstructing Comics #561: Minneapolis comics scene vignettes

Eliot Rahal interviews Kristin Tipping at New Comic Book Day at Day Block Brewing Co. in Minneapolis on July 19

Minneapolis is increasingly becoming a “comics town”. While it doesn’t have the publisher presence of Portland, it’s filled with comics creators of all stripes, from mainstream guys to indy creators to web cartoonists.

It also may be the only town in the U.S. where New Comic Book Day is a bar event every Wednesday, with comics giveaways, standup comedy, and a creator interview!

In this episode, Tim talks with:

Tim with Katy Rex

  • Katy Rex, writer of Jade Street Protection Services, from Black Mask, editor of another Black Mask title, Kim and Kim, and writer of a forthcoming Dr. Who special from Titan Comics. She also works at local retailer Hot Comics.
John Bivens and Eliot Rahal

John Bivens and Eliot Rahal

  • Eliot Rahal, writer of Bloodshot’s Day Off and other books from Valiant, and a host of the New Comic Book Day event.
  • John Bivens, artist on Image Comics’ Spread and Dark Engine.

Kristin Tipping

Also, you’ll hear Eliot interviewing Kristin Tipping, creator of Evil Witch Allie, a comic we’ve critiqued!

Become a patron and you can see video of some of the standup comedians at New Comic Book Day!

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Deconstructing Comics #487: Maya Kern and “Monster Pop!”

Monster Pop!Maya Kern‘s “Monster Pop!” features monsters and humans living together at a university. In Kern’s mind, it’s like, and also not like, shojo manga. How so?

This week, Tim talks with Maya about the increased acceptance of gay characters in comics; the problems with blogging from a character’s point of view (and of making your character a musician); why comics conventions are good for connections, but anime conventions are good for making money; repetitive strain injury, online comics promotion (Tapastic, Patreon), and more.

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Deconstructing Comics #397: “Multiplex” puts butts in seats

multiplexTim Across America, part 7! Gordon McAlpin has put in more than a decade on the popular Web comic Multiplex, about kids who work at a movie theater — a concept he had originally thought was stupid! What changed his mind? How has he successfully funded two Kickstarter projects to print books of his comic? He talks with Tim about this in a Minneapolis restaurant, as well as using Patreon for funding, his tools for making the strip, and the good and bad points of letting your characters age.

Plus, a clip from Tim’s appearance on the KFAI Minneapolis radio program True Brit!

DCP In Touch: Read Ian’s full comments about R. Crumb

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Deconstructing Comics #396: Dan Jurgens: Superman, Thor, and 30 years of change

danjurgens

Tim Across America, part six! Having worked in mainstream American comics for three decades now, Dan Jurgens has seen a lot of change. The number of publishers, the type and amount of fan interaction (thanks to the Internet), the method of comics distribution, and the way the Big Two search for new talent have all changed greatly in that time. And, the Big Two now actually discourage the creation of new characters. Why? This week, Jurgens reflects on those changes — some good, some bad — in a talk with Tim.

He also discusses his work on Superman and Thor, how technology has helped film steal some of comics’ storytelling edge, and more.

Also, in the Minneapolis edition of Ask a Retailer, Tim talks to Paul Miller at Comic Book College!

AND, our new feature DCP In Touch, and a talk with Kumar and Mulele about their successful Kickstarter project!

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Deconstructing Comics #395: Zander Cannon’s journey through “Heck”

zandercannonTim Across America pt 5! In Minneapolis, Tim visits the studio of Zander Cannon, author of Heck (discussed in episode 381) and layout artist for Alan Moore’s Top Ten and Smax. He talks with Tim about developing Heck, working with Alan Moore, whether going to San Diego is all that essential for a newbie to the comics business, and — Hey, Kevin Cannon’s your brother, right?!?

Big Time Attic (Zander and Kevin’s studio)

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