Michael and Derek are back at Heroes Aren’t Hard to Find, in Charlotte, NC, for the first of their planned August on-location episodes. And as the Two Guys have been doing with their new format, Michael highlights recent mainstream publications and Derek focuses on more indie or non-DC and Marvel titles. Michael starts the ball rolling by discussing the recent work of Ta-Nehisi Coates, specifically his current writing on Captain America(Marvel Comics). He specifically focuses on the politics embedded in the narratives — and not only with Cap, but in his Black Panther work, as well — and how Coates is learning the form and growing as a comic-book writer. Derek discusses three recent #1 issues, including Rob Guillory’s Farmhandand John Layman and Nick Pitarra’s Leviathan (both from Image Comics), as well as She Could Fly, written by Christopher Cantrell and with art by Martin Morazzo (Dark Horse Comics). He links the comedy, and the outrageousness, of Guillory’s and Layman’s new titles, because the two made their big splash with Chew. The guys also talk about She Could Fly, not only on its own story terms, but as the latest contribution from Berger Books.
On this episode of the interview series, Derek talks with W. Maxwell Prince and Martín Morazzo about their new series from Image Comics, Ice Cream Man. The first issue comes out on January 17, and Derek asks his guests about the genesis of this project and what to expect in its debut. As Will and Martín reveal, each issue of Ice Cream Man is a stand-alone story, with every release serving as a viable jumping on point into their uncanny world. In fact, both creators liken the title to Rod Serling’s The Twilight Zone, a series of stories that aren’t connected one to the other, but linked through tone and narration. What binds the individual issues together will be the ice cream man himself, peddling his frozen treats in a small suburban community and witness to — or instigator of? — various macabre events that turns lives upside down. The series’ inaugural issue revolves around a deadly Brazilian spider, a young boy forced to live on his own, and a police detective whose professional ennui is violently shaken. This promises to be a very different kind of comic-book series, one that may not be as soft and creamy as its title suggests.