Edward and Derek are back with the latest Euro Comics episode. This month, they focus on recent translations of the work of Jean-Pierre Gibrat, Flight of the Raven (IDW/EuroComics) and both volumes of The Reprieve (Europe Comics). Edward is very familiar with Gibrat’s work, as he was the translator of The Reprieve, and so he provides his insights within that context. Throughout their discussion of these narratives, the guys highlight what they see as the thematic links between the two, all of which springs from the books’ settings: WW II France during German occupation. Indeed, the two stories are companion pieces with the character Cécile appearing in both. The Reprieve takes place before the Normandy invasion with Julien Sarlat, escaping from mandatory German labor, hiding out in his small hometown with the help of Cécile and one of her acquaintances in the French Resistance. The action in Flight of the Raven begins around the time of the Allied landing, with Cécile’s sister, Jeanne, being jailed for unlawful weapons possession. She is a communist and active member of the Resistance, and her story is interlinked with that of François, a roguish thief who appears apolitical. As both Edward and Derek point out, Gibrat uses both tales to explore ideas concerning commitment, responsibility, and collaboration, and each of the characters his stories illustrates facets of engagé. The art in both works is lush and beautiful, and Gibrat’s pacing is aptly handled given the contextual action, and sometimes the lack thereof, embedded in each narrative.
It’s the first Euro Comics episode of the new year, and Edward and Derek use the occasion to focus on the work of two contemporary French creators, using their latest books as springboards into their larger bodies of work. They begin with Cyril Pedrosa’s Equinoxes (NBM Publishing), a novelistic examination of life purpose and the uses we make of art in creating meaning. The text comprises four alternating storylines that become more enmeshed as the narrative progresses, combining comics with prose passages in establishing its contemplative tone. But Edward and Derek also bring in discussions of Pedrosa’s earlier works in translation, including Three Shadows (First Second), Hearts at Sea (Dupuis/Europe Comics) and Portugal (Dupuis/Europe Comics).
Next, the Two Guys examine Clear Blue Tomorrows, written by Fabien Vehlmann with art by Ralph Meyer and Bruno Gazzotti (Cinebook). This book is basically a series of science-fiction or fantastic stories brought together by a broader narrative frame: a time traveler from a dystopian future tasked with ghost writing stories for the would-be tyrant in hopes of changing the man’s occupational trajectory. It’s a curious spin on the “killing Hitler” sci-fi trope, though narratively reminiscent of One Thousand and One Nights. The guys also discuss several of Vehlmann’s other works, including Last Days of an Immortal (Archaia), Beautiful Darkness (Drawn and Quarterly), and the all-age series Alone (Cinebook). There’s a lot packed into this episode…and so many reading ideas!
For the October Euro Comics episode, Edward and Derek look at two works written by Fabien Nury. They begin with I Am Legion, recently out from Humanoids and featuring the art of John Cassaday. The story takes place in 1942, and the Nazis are experimenting with a force that could spell the quick end of the war. But this isn’t just any military operation. It’s one infused with vampiric lore. The guys explore this supernatural, gothic take on the Second World War, discussing along the way the faint presence of the Holocaust as well as the continued fertile ground of Nazi Germany as a narrative bedrock for European albums.
Next, they look at another work by Nury, this one illustrated by Brüno. Tyler Cross: Black Rock was originally published by Dargaud in 2013 but offered last year digitally in an English translation from Europe Comics. In terms of of both genre and art, this book is strikingly different from the first one Edward and Derek discuss. Tyler Cross is a gritty crime noir narrative set in the American Southwest, with Brüno’s stylized illustrations bringing out its bleak and violent tone. Set alongside Cassaday’s realistic art, the book demonstrates the versatility of Nury’s collaborative storytelling abilities. The guys also allude to the second book in this series, Tyler Cross: Angola, and speculate on future installments.