While Chris Taylor goes by the pen name “Sketchfro“, he no longer has an afro and he does a whole lot more than sketch. An American living in Tokyo, he does freelance art, his own comics, and pro-level digital coloring.
In this episode he talks about getting digital coloring right, drawing women with sex appeal, and the work he’ll be promoting at Tokyo’s International Comics Fest later this month.
When last we checked in on the Web comic Evil Diva, an artist needed to be paid and fans were being asked to cough up cash before the next page could be drawn. Now the comic is being published as a graphic novel, and will even get a cameo in an upcoming movie. Are the comics gods finally smiling on Evil Diva? Let’s ask the strip’s creator, Peter Menotti, and see.
Tim Across America, part six! Having worked in mainstream American comics for three decades now, Dan Jurgens has seen a lot of change. The number of publishers, the type and amount of fan interaction (thanks to the Internet), the method of comics distribution, and the way the Big Two search for new talent have all changed greatly in that time. And, the Big Two now actually discourage the creation of new characters. Why? This week, Jurgens reflects on those changes — some good, some bad — in a talk with Tim.
He also discusses his work on Superman and Thor, how technology has helped film steal some of comics’ storytelling edge, and more.
Also, in the Minneapolis edition of Ask a Retailer, Tim talks to Paul Miller at Comic Book College!
AND, our new feature DCP In Touch, and a talk with Kumar and Mulele about their successful Kickstarter project!
Tim & Brandon discuss “Batman/Tarzan: Claws of the Catwoman” by Ron Marz and Igor Kordey! Also: Brandon talks about an online figure-drawing class he took, and we different philosophies of how to become a versatile artist. Is it better to start with figure-drawing training, or is it better to figure out your style on your own? How important is it to have experience drawing “bigfoot” funny comics?
Then an interview with (former) Tokyo resident Ed Siemienkowicz and a discussion of how to develop your own style. Tim continues to struggle with this as he is paid (!) (by an English school) to do some illustrations.
Finally, Mulele has a few words about WordPress plugin ComicPress, and why he’s switching to InkBlot — er, no, sorry, Webcomic 2.1