Listen to the podcast!
- 00:00:30 – Introduction
- 00:03:12 – The tragedy of the California wildfires
- 00:05:58 – Lighter Than My Shadow
- 00:48:27 – Now #1
- 01:14:03 – The Family Trade #1
- 01:31:28 – Wrap up
- 01:32:31 – Contact us
Hungry for Art
This week Paul and Derek take on three exciting new titles. They begin with a moving memoir from UK creator Katie Green, Lighter Than My Shadow (Roar-Lion Forge). In this work, Green reveals the eating disorders she struggled with as a young girl and into adulthood. Growing up obsessive-compulsive, Green chronicles how this condition contributed to her anorexic behavior, later evolving into problems with binging. Green also narrates her many attempts to address these problems with various doctors and therapists, the most notorious of whom ends up sexually abusing her…providing even more obstacles to her recovery. The guys are impressed by Green’s honesty and storytelling abilities — particularly taken by her art and the visual metaphors she employs throughout — although toward the end of their conversation about this title, they wonder if perhaps the memoir could have been streamlined just a little. This is a 500+ page text, after all.
Next, the Two Guys look at a brand new anthology from Fantagraphics, Now #1. Edited by Eric Reynolds, this collection of diverse and experimental comic art brings to mind Fantagraphics previous anthology, Mome (which both Derek and Paul dearly miss). In fact, the guys begin their discussion of Now by referencing the earlier anthology, with Paul feeling that the latest efforts are more experimental than Mome, while Derek see it as more similar to the previous series. The only difference is number of new and/or unfamiliar creators in Now (and, Derek argues, such was also the case several years ago with Mome). Some of the standouts in this first issue of Now are Dash Shaw’s “Scorpio,” Gabrielle Bell’s “Dear Naked Guy…,” Sammy Harkham’s “I, Marlon,” Malachi Ward and Matt Sheean’s “Widening Horizon,” and especially Noah Van Sciver’s “Wall of Shame” (for Derek, the best of the collection). But the guys are also impressed, and at times curiously confused, by the contributions from creators that are new to them, such as Sara Corbett, J.C. Menu, Antoine Cossé, and Kaela Graham. But as Paul and Derek argue, the entire issue of Now is compelling and works successfully as an anthology. They can’t wait until the second issue, due for release in January.
Finally, the Two Guys wrap up with a discussion of Justin Jordan, Nikki Ryan, and Morgan Beem’s The Family Trade #1 (Image Comics). This is another example of the kind of world-building often found at Image, and it’s the story of a neutral territory in the middle of the Atlantic Ocean, the Float, ruled by the descendants of the ship captains that originally founded the realm — called the Clans — and the Family, descendants of the hands who had worked for the captains. This first issue opens with the protagonist, Jessa Wynn, attempting to assassinate Stagger Berghardt, a Trump-like charismatic demagogue who appeals to the base instincts of the citizens of the Float. She bungles the assassination, but her efforts put into motion a series of encounters that will propel the narrative into the next issues. Both Derek and Paul are impressed by this first issue, especially Beem’s art, and both plan on remaining on board for the rest of the series.