Comics Alternative Interviews: Pat Palermo

Time Codes:

  • 00:00:24 – Introduction
  • 00:02:41 – Setup of interview
  • 00:04:04 – Interview with Pat Palermo
  • 01:06:50 – Wrap up
  • 01:07:33 – Contact us

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Art and Life

Pat Palermo is an artist and Xeric Award-winning cartoonist living and working in Brooklyn. In fact, the intersection of “living and working” is the subject matter of his new series coming out from AdHouse Books, LIVE/WORK. The first issue of this magazine-sized comic came out last month, and it’s an ensemble narrative concerning the exploits of New York artists as they try to make their marks in the art world, while at the same time worrying about their living arrangements. In this episode of the interview series, Derek talks with Pat about the origins of his new series, how it began as a self-published endeavor, the autobiographical links embedded among his ensemble cast, and his thoughts on writing in a more realistic or slice-of-life mode – what’s been called before on The Comics Alternative, verite dessinée. Along the way Pat discusses his own non-comics art endeavors, his Galveston Diary Project, and the ways in which his work in fine arts informs his cartooning…and vice versa.

Comics Alternative, On Location: Talking with Creators at the Sumter Comic Arts Symposium 2017

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Time Codes:

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Our Man in Sumter

As listeners of The Comics Alternative know, Andy oversees the annual Sumter Comic Arts Symposium every spring, and this year is no different. And this time, not only has he organized the entire event, but he also took time out of his duties to interview several of the creators who appeared at the symposium. First, he speaks with Sophie Goldstein and Carl Antonowicz at the local Waffle House — the sound quality isn’t ideal, but the breakfast ambience is palpable — and then he conducts an interview with Jeremy Whitley, talking primarily about his recent work with Marvel Comics.

Be sure to check out today’s companion on-location episode where Derek talks with several artists and publishers at Fan Expo Dallas 2017!

 

 

Comics Alternative Interviews: Luke Howard

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Mother

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Time Codes:

  • 00:00:24 – Introduction
  • 00:02:08 – Setup of interview
  • 00:03:43 – Interview with Luke Howard
  • 01:04:41 – Wrap up
  • 01:06:33 – Contact us

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On this interview episode, Derek has the pleasure of talking with Luke Howard. His new book, Our Mother, was recently released from Retrofit/Big Planet Comics, but he also had another work published earlier this year from AdHouse, Talk Dirty to Me. Derek talks with Luke about both of those titles as well as his comics collected in anthologies such as IreneDog City, and Maple Key Comics. Over the coarse of their conversation, Luke shares the personal history that went into Our Mother, his experiences in self-publishing, and the ways in which his training as a filmmaker informs his visual storytelling.

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Deconstructing Comics #467: Sophie Goldstein and “The Oven”

The Oven

On a world with two suns, a young couple leave their city in a bubble and go to live in a small rural community. Is it the freedom they’ve been looking for? That’s the premise of Sophie Goldstein’s graphic novel “The Oven”. This week Sophie talks with Tim about “The Oven”, readers who have varying interpretations of her work, her warning for budding comics creators, and more.

Deconstructing Comics site

Comics Alternative Episode 140: A Publisher Spotlight on AdHouse Books

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Fun with AdHouse

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The Two Guys with PhDs are back for another Publisher Spotlight, and this time they turn their attention to recent releases from AdHouse Books. On this episode, they look at the publisher’s 2015 catalog (so far), but first Derek talks briefly with AdHouse’s founder and publisher, Chris Pitzer. He gives the lowdown on the origins of the press, how he translated his designer skills into publishing acumen, the process of artist acquisition, and some of his most notable (and unlikely) publishing successes over the years. After that, the guys plunge into their discussion of the five books that have come out — or are about to come out — from AdHouse this year. They start with the new edition of Jim Rugg and Brian Maruca’s Street Angel. Both Derek and Andy Kunka had already discussed last year’s Street Angel when they had Rugg on for an interview earlier this year, but this new edition gives the reader a different color experience. AdHouseLogoWhereas the earlier book contained black and white art, this one sets the illustrations on pink paper, giving Jesse “Street Angel” Sanchez’s adventures a whole new feel as she keeps the world safe from ninja gangs, evil geologists, nepotism, and math homework. Next, the Two Guys discuss a truly offbeat book from Eric Haven. Ur is a collection of strange, absurd, and hilarious short comics reminiscent of the works of Michael Kupperman, Evan Dorkin, and Ryan Browne. Highlights include the heroics of Bed Man, Dream Lord of the Night Sky, and the demented adventures of everyman Race Murdock. Without question, this is one of the guys’ reading highlights of the week. Next, they turn to the fourth issue of Ethan Rilly’s Pope Hats. The guys bring different perspectives to Rilly’s work, with Derek having read the previous issues and this being Andy’s first exposure to the series. Fans of Pope Hats will find this a different kind of issue. The story of Frances and Vickie is temporarily put on hold while Rilly presents many of his previously published short comics, including the meditative “Stained Glass” and the psychologically moving “The Nest.” After that, the guys look at Sophie Goldstein’s novella-length work, The Oven. This is an alternate world, post-apocalyptic narrative about living off the grid and how empowering and life-changing such a move can be. Goldstein’s simple, evenly paced art reveals  deeper levels of understanding than its small page count might suggest. Finally, Derek and Andy wrap up their spotlight with a discussion of Kathryn and Stuart Immonen’s soon-to-be-released Russian Olive to Red King. Much like The Oven, this is a relationship story that unfolds slowly, allowing character to develop in organic and natural ways. In addition to the art, one of the most striking aspects of the book is it’s last third, composed almost entirely of text. The guys note that while prose-heavy narrative can be a potential put-off in comics, Kathryn Immonen handles the story brilliantly, using the text to add depth to its more stoic art. Andy declares this one of his favorite books of 2015 so far. In fact, you could say something similar about all of this year’s AdHouse books taken together.

A big THANKS to Chris Pitzer for helping to make this show possible.
And be sure to check out the AdHouse Books website for a full range of their publications!
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