Comics Alternative Interviews: Another Conversation with Tillie Walden

Time Codes:

  • 00:00:24 – Introduction
  • 00:02:20 – Setup of interview
  • 00:04:01 – Interview with Tillie Walden
  • 01:15:35 – Wrap up
  • 01:17:30 – Contact us

blkfade

Queer Women in Space, or Women in Space Who Are Queer?

Sterg and Derek are happy to have Tillie Walden back on the podcast. (She was originally on The Comics Alternative in June 2015, her very first podcast interview!) Her latest book, On a Sunbeam, will be released next week from First Second. This narrative actually began as a webcomic — one that was nominated for an Eisner Award last year, and one that is still available online — but now it will be available in print. The Two Guys talk with Tillie about the process of creating On a Sunbeam and its importance as a webcomic, the science fiction scaffolding around which the narrative is constructed, and how this work compares to some of her earlier books. In fact, much of the conversation is focused on the kind of fantastical stories Tillie spins out, with flying fish planes and cats large enough to ride on. The guys also ask her about last year’s Spinning, the winner of a 2018 Eisner Award for Best Reality-Based Work, and the creative shifts she had to make with this outright autobiography. Over the course of their conversation, Tillie shares her experiences growing as a storyteller, her large and dedicated fanbase, the almost improvisational nature of her writing, and her discomfort being pigeonholed primarily as a writer for teens or as a lesbian creator.

Comics Alternative, Episode 188: A Publisher Spotlight on Avery Hill Publishing

Listen to the podcast!

Musical Discoveries

AveryHill-banner

Gwen and Derek are back with another publisher spotlight episode, this one on the UK press, Avery Hill Publishing. They begin their spotlight with a short interview with the people behind Avery Hill: Ricky Miller, Dave White, and Katriona Chapman. Derek talks with them about the origins of the press, the kind of creators that have come to define Avery Hill, their distribution and publicity outside of the UK, and their plans for fall releases and beyond.

After that conversation, Gwen and Derek get into the nitty gritty of the publisher’s current offerings. They start by looking at the most recent issues of two ongoing series from Avery Hill, Reads #4 and Metroland #3. The former is an anthology periodical currently in its second volume, and the two discuss its various serialized storylines. Gwen is particularly fond of Owen D. Pomery’s “The Megatherium Club,” but they also discuss Reads‘ other historically based stories — Ricky Avery-HillMiller and Tim Bird’s “Hitchcock and Film” as well as Bird and Luke James Halsall’s “The Bullpen” (inspired by Marvel Comics in the early 1960s) — and the colorful, offbeat comics of EdieOP. The most recent issue of Metroland continues the drama behind Ricky Miller and Julia Scheele’s fictional 1980s band, Electric Dreams, and while discussing this evolving narrative, Derek and Gwen even wax nostalgic over their own musical histories growing up during that time.

Next, they discuss three new books released this spring. A City Inside is yet another work from Tillie Walden — she’s become a singular force at Avery Hill — and this one is a measured, meditative look at self-identity with an almost poetic tone. Rachael Smith’s Artificial Flowers does to the London art scene what Miller and Scheele’s Metroland does with the city post-punk. Both the artist’s unassuming premise and her clean, iconic art style easily draw Gwen and Derek into this fun story. And then finally, the cohosts wrap up with the latest book in Matthew Swan’s Parsley Girl series. Neither Derek nor Gwen had been familiar with Swan’s work previously, but Parsley Girl: Carrots proves to be a good introduction into his weird and almost psychedelic narrative world.

Overall, both Gwen and Derek find a lot of excitement behind this young press. Avery Hill may be just now getting a foothold in the US market — thanks to its recent distribution agreement with Retrofit/Big Planet — but as this episode demonstrates, it’s definitely a publisher worth watching.

Parsley Girl-interior

blkfade