- 00:00:33 – Introduction
- 00:03:10 – 2018 Eisner Award winners
- 00:10:38 – Nobrow 10: Studio Dreams
- 00:29:19 – Love and Rockets, Vol. 4 #5
- 00:54:56 – Last Mountain #4 and #5
- 01:14:34 – Wrap up
- 01:15:42 – Contact us
“There’s a lot of hey being thrown here”
This week Paul and Derek discuss three unique titles that help define our understanding of what comics can be. They begin with a visual anthology that is, arguably, not a comic at all. Nobrow 10:Studio Dreams (Nobrow Press) is a series of 70 gorgeous illustrations by a variety of artists — all of whom have contributed to Nobrow publications in the past — that reveal their ideal studio space. The styles in this volume vary widely, but each illustration is a luxurious work that invites visual lingering.
After that the Two Guys turn to one of their favorites, the Hernandez brothers. The latest issue of Love and Rockets (Fantagraphics) is notable in that it wraps up Jaime’s ongoing storyline, “Is This How You See Me?” This narrative began back in the New Stories volumes, and in it Maggie and Hopey attend a Hoppers reunion that begins well, but then takes a darker turn for the two. Jaime also contributes a couple of shorter comics that revisit Maggie and Hopey in their younger days, another narrative thread we’ve seen in recent issues of Love and Rockets. Gilbert’s contribution, “Rosy,” is a long story about one of Fritz’s daughters who confronts her mother’s colored career and decides what it means to her.
Paul and Derek wrap up the episode by looking at the two latest issues of Dakota Mcfadzean’s minicomic Last Mountain. Issue #4 is a surreal look at the disturbing power of product iconography, where a little girl is terrorized by a cereal box mascot. Issue #5, “To Know You’re Alive,” can be read as a response to the previous issue in that it also concerns childhood and media, but from the perspective of a stay-at-home father. Unfortunately, both of these minicomic issues are sold out, but as the guys mention, listeners should definitely keep their eyes on Mcfadzean as he releases new material.